Remembering the Harlem Renaissance

by Jacky Jasper

In Honor of Black History month, HSK will daily highlight a person, place, or moment that was significant for the progress and development of American culture and values….

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Harlem Renaissance, was the term used to describe a flowering of African-American literature and art in the 1920s, mainly in the Harlem district of New York City.

During the mass migration of African Americans from the rural agricultural South to the urban industrial North (1914–18), many who came to New York settled in Harlem, as did a good number of black New Yorkers moved from other areas of the city.

Meanwhile, Southern black musicians brought jazz with them to the North and to Harlem. The area soon became a sophisticated literary and artistic center. A number of periodicals were influential in creating this milieu, particularly the magazines Crisis, which was published by W. E. B. Du Bois (founder of the NAACP) and urged racial pride among African Americans, and Opportunity, published by the National Urban League. Also influential was the book The New Negro: An Interpretation (1925).

Responding to the heady intellectual atmosphere of the time and place, writers and artists, many of whom lived in Harlem, began to produce a wide variety of fine and highly original works dealing with African-American life. These works attracted many black readers. New to the wider culture, they also attracted commercial publishers and a large white readership. Writers associated with the Harlem Renaissance include Arna Bontemps, Langston Hughes, Claude McKay, Countee Cullen, James Weldon Johnson, Zora Neale Hurston, and Jean Toomer. Visual artists connected with the movement are less generally known. Among the painters are Aaron Douglas, Palmer Hayden, Malvin G. Johnson, and William H. Johnson; the best-known sculptor is Augusta Savage. Photographers include James Van Der Zee and Roy De Carava.

The Harlem Renaissance faded with the onset of the Great Depression of the 1930s.

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