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WME & Cara Lewis Have a History of Racial Prejudice

by Jacky Jasper

FORMER EMPLOYEE SUES WILLIAM MORRIS ENDEAVOR ENTERTAINMENT IN $25 MILLION DOLLAR LAWSUIT FOR RACIAL DISCRIMINATION.

Cara Lewis William Morris Racial Charged Workplace

Full details of the lawsuit and Mr. Washingtons claim can be found below. Mr. Washington is the man who brought Jazmine Sullivan to WME.

I find this is disgusting. I truly feel Marcus Washington’s pain. Know why? Because I too once was a booking agent back in 2004 – 2005. I can’t tell you the booking agency who I worked for because a few years back I was paid to sign a five-year confidentially agreement with the company, but I’ll say this — I know all about Marcus Washington’s boss Cara Lewis over at William Morris Endeavor Entertainment, and guess what? I’m told Afro-American artists would sleep with her just to stay on her good side. According to several insider (artists signed to WME), Carla Lewis often drinks a entire bottle of Zinfandel before seducing some black artists — during which time she likes to repeat “Fuck me Nigger” over and over during the act. Some artists will do anything for a paycheck and the limelight. Trust me, I couldn’t make this shit up!

With the type of money that William Morris Endeavor Entertainment makes off their black celebrities, the agency should hire more black employees. William Morris Endeavor Entertainment is proof that racism is alive and is a major problem at the workplace. Don’t believe me? Ask Marcus Washington.

I say black artists should join together and boycott William Morris Endeavor Entertainment, until the agency changes their policy and hires more people of color. Marcus Washington took a stand, and I truly hope he wins his $25 million lawsuit.

What are your thoughts?

 

NEW YORK – January 26, 2011

Marcus Washington is doing the unthinkable – standing up for his civil and human rights as a pro se litigant by suing Hollywood’s premier talent agency, William Morris Endeavor Entertainment, for disparate impact and treatment racial discrimination, aiding and abetting and retaliation in a $25 million dollar civil lawsuit according to a 80 page complaint filed in the Southern District Court of New York (Washington v. William Morris et al., Civil Action No. 10 CV 9647 (PKC)) late December 2010.

At the start of Mr. Washington’s employment in September of 2008, he was the only African American hired into the Agent Trainee program. There were zero African American or Hispanic Agents and there was one Asian Agent out of more than 50 White executives. Although Mr. Washington’s credentials surpassed that of any of his peers, including receiving a Masters in Music Business from the University of Miami in May of 2008 and most notably working for two years as the former co-manager to singer/songwriter Jazmine Sullivan who is now an 8x GRAMMY® nominated recording artist and client of William Morris, he was forced to start at the bottom of the racially homogenous company in which advancement is based largely on networking and mentoring, not actual merit and ability.

Over the decades, there has been a shift in how discrimination manifests itself. No longer overt, it generally operates today in a covert fashion that’s mostly out of the sight of consciousness – creating a complex and tangled web when trying to pinpoint the source of the problem, although its intended goals are still achieved. Individual acts of discrimination have continued in large part because the organization’s structure and its institutional practices encourage it. This is evident in the numerous examples provided in the complaint detailing specifically how Mr. Washington was deliberately and intentionally targeted by various staff including Sarah Winiarski and Jeff Meade of Human Resources because of his race, color and/or national origin, no matter how well he performed.

One instance included Mr. Washington discovering a set of emails in which he was blatantly lied on by a staff member to Human Resources as having showed up a “few hours late” to an appointment. Another in which he was lied on by an Agent after only working with him for an hour, resulting in Mr. Washington soon after being given dead end assignments for 81 out of the next 91 business days. An Agent making a racially insensitive comment after calling Mr. Washington by the name of the other African American Trainee employed, confusing them simply because he saw a “black guy” sitting at the desk. Subjective evaluations which allowed Human Resources to make sure Mr. Washington never rose above the glass ceiling by waiting months to notify him of alleged problems, rating him low in areas he was never given the opportunity to perform in and refusing to comply with the company’s “open door,” “equal employment opportunity,” and “reporting harassment, discrimination and retaliation” policies. After finally speaking to upper management about his belief that he was being discriminated against, his comments were downplayed and he was blamed for his inability to be promoted. After stating that “he could make this a much bigger issue,” he was offered five months salary to “look for another job.” At the time of Mr. Washington’s exit, less than 5 out of the more than 250 Agents/executives (less than 2%) employed at William Morris were African American.

In the years since the passage of the Civil Rights Act of 1964, the unemployment rate for African Americans has remained at a rate double that of whites, while the EEOC reported a record high for the number of complaints for workplace discrimination in 2010 – highlighting both the law’s ineffectiveness and employers’ continued unwillingness to provide equal employment opportunities to people of color in this country. As the nation continues down its slippery economic slope resulting in increased unemployment rates for all citizens, African Americans are being and will continue to be hit the hardest. But as this case will demonstrate, this is not the result of a lack of qualified minority candidates in the marketplace, but part of a much deeper issue that is not adequately being addressed – racism. This statement is supported by the company’s actions after Mr. Washington left the company and filed a complaint with the EEOC on June 3, 2010, in which the company hired five African Americans in one month after receiving a letter from the EEOC on June 9, 2010 when in the year and a half Mr. Washington was employed, only 2 African Americans were hired into the Trainee program.

Mr. Washington is using this case as a mirror to the rest of society, reflecting ugly truths and challenging the notion that America has become a “post-racial society,” while also attacking the establishment of white supremacy that continues to oppress people of color in a quest civil and human rights. “Race is nothing but a social construct and has meaning only because we have allowed ourselves to be defined by it,” says Mr. Washington. “It doesn’t determine ability or one’s capabilities and this case challenges this divisive myth that has allowed the human race, and particularly this country, from ever reaching its full potential. We must no longer allow our past to define our future.”

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5 Responses to “WME & Cara Lewis Have a History of Racial Prejudice”

  1. Captain Chillymost |

    I’d have fucked the snot outta’ that bitch.

    [Reply]

  2. Digical1 |

    People always want to say race is not a issue

    [Reply]

  3. Dark Angel |

    there is a lot of dirt out there on cara lewis…shistey ass bitch been ripping those same urban acts off for years!

    [Reply]

  4. Anonymous |

    DAMN JACKY! if thats true about cara thats real fucked up….what a freak!

    [Reply]

  5. Aaron R |

    Benjamin Sacales is the Head of HR for Music Central for WME Beverly Hills. And he is a Gay, Black, Brilliant man and will give you the most intense interview of your life

    [Reply]

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